Choosing a viewpoint suggests that we are located at a point, a spot from
where we observe the subject of representation. Apparently, it is we, the
viewers with the eyes of the artist, observing the other.
I am particularly interested in the viewpoint that diminishes the distance
between the viewer and the subject. I especially want to research the
possibility of the viewer becoming part of the composition, once he is
identified completely with the artist and the artist’s point of view.
Another question that reappears constantly in my works is: what is worthwhile
putting on a canvas?
Does an absolutely trifle or even more an ungracious subject deserve to
become an artwork and can it be transformed into something beautiful?
This endeavor is obvious in works as “Public Lavatory Blues”, “Love Conquers Everything”