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| Misselbrook's practice involves digital photography, sculpture, casting, and drawing. Her 3D works are a play on traditional sculptural concerns, the process of adding or taking away. However, this is not achieved using stone or wood but chocolate or soap, degradable or even edible materials which underline the transient state of the body. The final works show the seductive yet repellent nature of human anatomy. They embody ways of externalising a very internalised self-analysis of the body personal. | ||||||||